Monday, October 21, 2013

Dangerous Method, Cosmopolis & Videodrome

Cronenberg D's A Dangerous Method (2011)

A story weaving Carl Jung and Sig Freud though a 'muse' patient. The trio's past had a big impact in their lives. As we swayed between Magic-Science in Nolan's Prestige, here too we oscillate between conflicting theories and practices. The fact that these were real people who lived recently makes the movie all the interesting.


Cosmopolis (2012)

Based on D.Dellilo's book, both artists try to predict future. Everything mixes, overlaps - work, sex, workout, medical examination even for a billionaire on his way to barber (probably only hair grows naturally rest of world is controlled 'on time'). The words in their conversations look distorted to us and meaningless - we don't catch their language, humor or any type of communication.  As the plot thickens, we feel as if the modern world almost found the 'pattern' in everything - only to find that nature will introduce 'distortions' when needed.

Videodrome (1983)

 Considered to be Cronenberg's Masterpiece, videodrome is not an easy watch. More like his 'Cosmopolis', he was hinting the future of  TV, Movies, Porn, Feelings & Hallucinations. Since the beginning people are becoming more and more 'glued' to the images on TV, Internet, Movies, shows and so on & in fact the 'medium' is the new flesh. By now, we know how it ends but don't have a choice.

Contagion

Soderberg's Contagion (2011)

"Nothing spreads like fear"



There has been many movies about the 'end of the world' and even about outbreaks/pandemics. With technology and everyone connected globally - panic spreads faster than the virus. We are helpless but 'as audience' we are confident someone will find something. What Contagion sets apart is the 'realistic' set problems of this problem. Chaos & Anarchy is just days away even in civilized world as fear of survival seeps in. If the situation were hopeless, the whole world would end happily; but reality is only a select group gets access to the cure not by natural selection (or lottery), but selection by 'power'.

Sisters

Palma's Sisters (1973)



Hitchcock like thriller from Palma. Much bigger than the crime is the 'Past' which is slowly revealed. Two bodies one mind - a split one is an interesting concept. But Palma takes it further as the movie progresses. The content of the mind is the content of the story & one is left hanging in an almost  comic ending.

 

Amour


Experienced M Haneke's Amour (2012)

Can you make a film where the central characters doesn't want us to see them ?



Life itself the real plot -  as George and Anne spend their old age. We see it emotionally& melodramatically but they don't - they want to get by enjoying their last days gracefully and with respect.  A pigeon is a pigeon MH says.

Martha Marcy May Marlene

Sean Durkin's Debut Martha Marcy May Marlene (2011) won many awards.



The story is based on Sean's earlier short 'Mary last seen' has a nice blend of perspectives. An interesting mix of flashback with the present, of two families with so much contradictions that we are helpless but to take sides often...till the end?

Killer of Sheep

Charles Burnett's debut - Killer of Sheep (1979)

What makes a man 'A Man' ? Is it him or his job?
 



Stan's big heart is only filled with sadness and drenched with weakness as he watches his wife and children grow in a ghetto. His honest money from the slaughterhouse does make ends meet - a mere survival.  Burnett's short (Horse) is very spiritual addition.  His style is filled with emotional images with an ideal mix of sound.

 

The Hypothesis of Stolen Painting

Chilean Director 's"The Hypothesis of Stolen Painting (1979)"

How would it be to enter into a painting and dissect it from various angles for clues & find something much bigger...

http://www.imdb.com/title/tt0077707/


The mood, lighting, models and the stage are all set like a painting in this movie. And all the actors expression and gestures frozen in a place but not in time. The dilemma and the eventually the frustration of the collector narrating it can only be justified by his and our curiosity.  In Kurosawa's Dreams we enter into the colorful Van Gogh's painting.